X-Files/ Hannibal Star, Gillian Anderson Joins American Gods Cast

With Neil Gaiman’s American Gods series moving along (finally), it seems like we are getting a new update on the Bryan Fuller run show on at least a weekly basis. Today, we’ve got some great news. Fuller is bringing in one of his Hannibal Cast Members for a pretty significant role.

Here’s the news from the press release:
“Anderson will play Media, the mouthpiece for the New Gods, functioning as their public face and sales representative, by taking the form of various iconic celebrities. She lives off the attention and worship that people give to screens-to their laptops, their TVs, to their iPhones in their hands while they watch their TVs. Ever the perky spokesperson, and always in control, she spins stories in whatever direction best suits her.”

If you’ve not read American Gods, I’d strongly suggest checking it out before the series premiers on Starz in 2017.

Here’s what Amazon says about the original book:
American Gods is Neil Gaiman’s best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn’t sacrifice the razor-sharp plotting and narrative style he’s been delivering since his Sandman days.
Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow’s dead wife Laura keeps showing up, and not just as a ghost–the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow’s road story is the heart of the novel, and it’s here that Gaiman offers up the details that make this such a cinematic book–the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. “This is a bad land for Gods,” says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country–our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what’s real and what’s not. –Therese Littleton –This text refers to the Hardcover edition.